VIDEO AND AUDIO FORMAT GUIDELINES
Video Formats:
We accept almost any video format you can imagine, including:
ProRes (except ProRes 4444)
Windows Media
H.264
And more!
Important Note:
We do not accept ProRes 4444 files. This format is designed for mastering and is not suitable for screening contexts like film festivals. If you’re unsure about your file format, it’s likely not an issue unless you are specifically using ProRes 4444.On the audio side, we will accept surround mixes but we will not accept videos without any audio track. Even if you have a project with absolutely no sound, you should have an audio track. Thus, we consider the lack of an audio track to be an error condition.
Audio Tracks:
Videos must include an audio track, even if your project contains no sound. An empty audio track ensures compatibility with festival playback systems.
Surround sound mixes are accepted, but submissions without any audio track will be considered incomplete and may not be accepted.
Audio Tips: Make Your Film Sound Great
Don’t Skip Out on Audio:
Audio is just as important as your visuals—sometimes even more! A well-mixed soundtrack, clear dialogue, and consistent levels can make your film feel polished and professional. Poor audio can distract your audience, no matter how great your visuals are.
Practical Tips for Better Audio
Balance Your Levels:
Use the audio meter in your editing software to keep levels consistent:Dialog and main sounds: Keep them between -12 dB to -6 dB.
Avoid peaking above 0 dB to prevent distortion.
Match Professional Volume Levels:
Play a professionally made movie trailer or short film on the same device you’re using to edit. Set the volume to a comfortable level, then play your film. If your audio feels too loud or too quiet by comparison, adjust it to match.Check Across Devices:
Play your film on multiple devices—headphones, desktop speakers, a TV, or a smartphone. Audio that sounds balanced everywhere will ensure your audience enjoys your story as intended.Keep Background Noise in Check:
Make sure dialogue and key sounds aren’t drowned out by music or effects. Your audience should always hear the story you’re telling.
Take the Extra Time
A little extra time spent balancing your audio will make a big difference in how your film is received. Great audio ensures your audience can focus on your story, not distractions like uneven sound or distorted dialogue.